The artistic career of Edgar Gutierrez has been marked by the constant search for that finding and continued seeing each work, each painting, with a permanent fluctuation field. Since you start the series with plastic language \"Seres Metamorficos\" (1980-1984), using a marine called \"Bellota de Mar\", influenced by the Surrealist art of Yves Tanguy, Rene Magritte and Salvador Dali, continuous with vegetation-animal \"Aveflora\" (1984-1987) and the variety of everyday \"Signs of Life\" (1987-1990). 

Then begin to appear ethereal characters with big hats and mustaches, alluding to General Juan Vicente Gómez and his late father Mr. Carlos Luis Montiel, series title: \"Seres anecdoticos\" (1991-1995) and which begins to define the its original proposal and motivates his departure for the United States of North America in order to continue research on materials technology for use in their next works.

In 1993 two well-developed in his artistic career, \"Polictikus\" (works of various elements) and \"Index\" (works based on content pages in the magazines), which merges the characters of the previous series with divisions and extensions more abstract, cosmic which always emphasizes the details of a single eye with surreal characters, making these new expressions, what the art critic Vicente de Percia (Brazil), aptly defined as \"Mirada a las Miradas\" Since 1997 begins new series called \"From the Garden of the Spirit\" proceeds from the evolutionary search not only of his work if not their spiritual being.